House of Cards
Language - mise-en-scene, camera work, editing, sound
Industry
Audience
Representation - female, male, young, old, etc
Definitions
Drama: What is TV drama? TV drama is a broad
genre. At its simplest, it is fictionalised
action in narrative form.
Long form TV drama: Long
Form Drama is a term coined to describe the recent shift of interest towards
television series of high quality that many consider to have replaced the
cinema as a focus of serious adult entertainment. Unfolding over multiple
episodes, hours, and even years, these TV shows are seen to provide a content,
often dark and difficult, and an innovative style that strain against the
conventions of cinema as well as network television.
Media convention: A code is a system of signs which can be
decoded to create meaning. In media texts, we look at a range of different
signs that can be loosely grouped into the following: technical
codes - all to do with the way a text is technically constructed - camera
angles, framing, typography etc. verbal codes.
A code is a system
of signs which can be decoded to create meaning.
In media texts, we look at a range of
different signs that can be loosely grouped into the following:
•technical
codes – all to do with the way a text is technically constructed – camera
angles, framing, typography etc
•verbal
codes – everything to do with language -either written or spoken
•symbolic
codes – codes that can be decoded on a mainly connotation level verbal codes.
Genre:
A genre is basically the category of any
type of art or literature, for example categories of movie would be comedy,
horror, thriller etc.
Genre Hybridity
Some media texts are
hybrid genres, which means they share the conventions of more than one
genre.
For example Dr. Who is a sci-fi action-adventure drama and Strictly
Come Dancing
is a talent,
reality and entertainment show.
verbal codes ...
Synopsis - A
brief summary of
the major points of a written work
Barthes’
Narrative Codes
Roland Barthes
Narratives like a ball of string
Roland Barthes was a semiologist.
If you imagine a text is like a ball of
string, can it be unravelled in
one way or in many ways?
Open or closed?
texts may be
• '
open ' (i.e. unravelled in a
lot of different ways) or
• '
closed ' (there is only one obvious thread to pull on).
Barthes also decided that the threads that you
pull on to try and unravel meaning are called narrative codes and that they
could be categorised in
the following five ways:
The Hermeneutic Code -- ENIGMA CODE
• The Hermeneutic Code refers to any
element of the story that is not fully explained and hence becomes a mystery to
the reader.
•
The purpose of the author in this is typically to keep the audience guessing,
arresting the enigma, until the final scenes when all is revealed and all loose
ends are tied off and closure is achieved.
The Proairetic Code
(ACTION
CODE)
• The Proairetic Code also builds
tension, referring to any other action or event that indicates something else
is going to happen, and which hence gets the reader guessing as to what will
happen next.
Action code - applies
to any action that implies a further narrative action. For example, a
gunslinger draws his gun on an adversary and we wonder what the resolution of
this action will be.
• The Hermeneutic and Proairetic
Codes work as a pair to develop the story's tensions and keep the reader
interested. Barthes described them as:
• "...dependent on ... two
sequential codes: the revelation of truth and the coordination of the actions
represented….."
The Semantic Code
• This code refers to connotation within
the story that gives additional meaning over the basic denotative
meaning of the word.
The semantic code - any element in a text
that suggests a particular, often additional meaning by way of connotation.
Eg
A rose can be a romantic symbol, as well as being the new labour symbol.
What genre is the media text
What
sub genre is the media text
List
the main characters.
–President
elect Garrick Walker,
–Linda
Vasquez The President’s Chief of staff, woman, Latino! ”tuff as a 2 dollar cheque”
–Frank
Underwood, narrator (to the camera) protagonist/anti-hero House majority whip –
“keep the sludge moving.”
–Claire
Underwood (Owner of Charity Clearwater
Initiative) – dependant on
Franks electoral success (Sandcorp)
–Zoe
Barnes
Journalist at Washington Herald
–Michael
Kern –
Recently elected secretary of state (frank’s rival)
–Peter Russo -
drink driver,, solicitation, use of controlled substances.
–Doug
– Frank’s sidekick.
Editing
Sound
Camera work
Mise-en-scene
Summary-
- Set in Washington D.C.
- Political drama.
- First shot - dog dies, sets the tone.
- Makes character look cold - Frank Underwood is the protagonist
- Shows how politics is ruthless
- Frank meant to be secretary of state but is betrayed- story of revenge against Garrett Walker
- Russo is having an affair with his secretary. Russo is an alcohol and drug addict, soliciting, cheater, and drink driver who constantly finds himself in trouble with the law- Frank has taken him on as an "errand boy" in blackmail.
- Zoe is a up and coming journalist, struggling in the workplace, and his looking for "eyes and ears" in the White House. Frank being photographed looking at Zoe's assets, she uses this to her advantage to use Frank as her source.
- Claire Underwood is the manager in a charity who is struggling with funding the wages of workers, while she is trying to widen the scope of the reach of her charity.
- Juxtaposition - church scene vs sex scene.
- Doug fishes out education bill from from bin to give to Zoe.
Watch series 1 episode 1 of the 2013 House
of cards
Identify
the main character(s)
Identify
the sub-genre(s) of the drama
House of cards is a political drama centred around the character of Frank Underwood, with several sub-characters with their own stories that link to Frank. Frank is a congressman and democratic party whip, who was promised the job of Secretary of State after backing the presidential candidate, Garrett Walker, upon his success in the elections. Frank has been betrayed by Garrett and his team and have betrayed Frank in doing so, and therefore he plans to get his revenge against Garrett and his team. Frank's wife, Claire Underwood is the owner of a charity, and is looking to expand the scope of its reach, meanwhile at the cost to her staff, as she does not have enough funding to keep her employees with her, and is therefore attempting to get politician backing to help expand her charity. Frank is also connected at the end of the episode to the character of Peter Russo, who is is political representative, is a cheater, as well as an addict and repeat offender of the law. He is blackmailed by Frank Underwood after being arrested for drink driving and soliciting, and Frank makes him his "errand boy" in his scheme for revenge. Zoe Barnes is an up and coming journalist who is struggling to become a seriously published journalist. She comes into contact with Frank at a symphony event, when Frank is photographed staring at her assets. She uses this to her advantage and asks that Frank become her 'eyes and ears' in the the White House, and that she is able to use him as her source. Frank manages to take a education bill and hands it to Zoe to publish. This getting out in the press is of huge inconvenience to many important political figures linked to Garrett Walker, and this is the beginning of Frank's plot against the newly inaugurated president.
Other genre hybridities
include Family
dramas-
A popular and well-worn genre, the family
drama centres on
conflicts at the heart of family life and family relationships. Not to be
confused with family-oriented drama, family dramas can touch on such adult
topics as incest and political violence.
Thriller conventions
Family drama-
A popular and well-worn genre, the family drama centers on conflicts at the heart of family life and family relationships. Not to be confused with family-oriented drama, family dramas can touch on such adult topics as incest and political violence. Though some American directors such as William Wyler, Orson Welles and John Ford have produced some defining works in this genre, the family drama carries a particular potency in Asia where the conflict between duties to family and individual desires are more charged. Other Hollywood examples of this are in films such as the Godfather and To Kill a Mockingbird.
Steve Neale’s theory of Repetition and
Difference.
•Steve
Neale
states that genres all contain instances of repetition and difference,
difference is essential to the economy of the genre.
•Neale
states that the film and it’s genre is defined by two things:
–How
much is conforms to its genre’s individual conventions and stereotypes. A film
must match the genre’s conventions to be identified as part of that genre.
–How
much a film subverts the genre’s conventions and stereotypes. The film must
subvert convention enough to be considered unique and not just a clone of an
existing film.
In House of cards, there is no hero, they all have their own objectives and ambitions. There is no clear hero as of yet which is a break from the normal conventions of the genre in order to make it more unique and interesting to the audience. There is the family drama elements within the relationship of Frank and Claire.
Thriller conventions
What is a Thriller?
►
Uses suspense, tension and excitement as the main elements
►
Includes many sub genres: Mystery, Crime, Psychological, Political and
Paranoid.
►
Atmosphere of menace, violence, crime and murder.
► Society is seen as dark corrupt and
dangerous
► Literary devices like plot twist, red
herrings, and cliff hangers
Political thriller conventions
•POLITICAL
THRILLERS
A political thriller is a thriller that is set against the backdrop
of a political
power struggle.
They usually involve legal plots, designed to give political power to enemy,
while protagonist has to try to stop the enemy. They can
involve national or international political scenarios. The common themes are: political
corruption,
terrorism, and warfare. Political thrillers can be based on
true facts such
as the assassination of John F Kennedy. In political thrillers there is usually
a strong overlap with the conspiracy thriller. For example in the 2012 film
Argo, the protagonist has to rescue the American hostages from Iran.
IDEOLOGY CONSUMERISM
Codes and conventions
A code is a system of signs which can be decoded to create meaning.
In media texts, we look at a range of different signs that can be loosely grouped into the following:
technical codes – all to do with the way a text is technically constructed – camera angles, framing, typography etc
verbal codes – everything to do with language -either written or spoken
symbolic codes – codes that can be decoded on a mainly connotational level – all the things which draw upon our experience and understanding of other media texts, our cultural frame of reference.
codes can create feelings to the audience through effects and techniques, for example rain in a film and a woman looking upset can make the audience feel bad for the woman and be emotional.
Conventions are what you would expect to see in a certain genre, for example: in a fantasy genred film you would expect to see maybe unicorns, demons, hero’s/villians, strange settings, basically things that are fictional and unreal in our world.
The codes and conventions in media can be separated into 3 groups
Technical (e.g camera angles, movements & shots),
Symbolic (e.g clothing, colours)
Written and audio (music etc).
These three distinct groups give the text meaning and determine the response of the viewer.